Paperweights (2025)
60 x 80 cm, Giclee print on Hahnemuhle paper mounted on dibond
The part that throws (2025)
60 x 90 cm, Giclee print on Hahnemuhle paper mounted on dibond
Choreographies of Care and Resistance (2023-24), size varies
Choreographies of Care & Resistance - Act 1 (2023-2024)
The large drawings that set the stage in this series were made with charcoal, locally sourced river clay and pastel crayons. 'Act I' is part of a bigger series of works that together form an intuitive and embodied exploration of questions of care and resistance. How do we care for ourselves and the earth without carrying too much or perpetuating old harms? How can care be a form of resistance, and how can resistance be a form of caring? What does it take to allow ourselves to be carried? The purposeful amplification of color in these works coincides with the emergence this new line of artistic inquiry, which is still ongoing.
Choreographies of Care - act 4
Installation view (2024)
As it come’s (2024)
180 x 180 cm, Compressed charcoal & pastel
on fine art print on Hahnemühle paper
Choreographies of Care & Resistance - Act 2 (2024)
70 x 100 / 119 x 170 cm
Giclee print on Hahnemuhle paper
Choreographies of Resistance - push-pull series (2024)
One in a series of four black & white fine art prints
Warm Mountain (2023)
60 x 90cm Giclée print on Dibond
In the series Warm Mountain, body and hair enter into sculptural dialogues with collapsed, large-scale drawings of charcoal, clay and white pastel. Hair flows with expressive strokes of charcoal and clay still wet, while the body withdraws and emerges from the mountainous heap.
Warm Mountain (2023)
Warm Mountain (2023)
60 x 90cm Giclée print on Dibond
Embrace (2024)
Pencil drawing on fine art print.
Limited edition of 5 unique variations
Amidst (2023)
Exhibition edition: 140 x 200 cm in stand-alone photo backdrop frame
Amidst Installation (2023)
For the exhibition Here Be Dragons in Amsterdam a life size installation was created. Hung in a stand-alone photo-backdrop frame, it had a prominent place in the raw and open exhibition space of Werkpaard, drawing visitors in and inviting interaction in response to the presence of this figure in whirlwind.
“An invigorating collage of photography, drawing, and dance, where the forces of nature and humanity spiral in an endless entanglement.”
- Flor Avelino
Untitled (2023)
84 x 118 cm, pencil drawing on black and white print
Amidst II (2023)
84 x 118 cm, Gicléé print on Hahnemühle paper
Amidst Series (2023)
The works above and below are part of my first series of performative drawings called ‘Amidst’. In these works we see the body enter into a direct physical dialogue with large scale drawings. Building on the themes that surfaced while working on Our Roots Are Dark, in which the boundaries between body and drawing were blurred, this series presents an intuitive exploration of standing in relation to turmoil.